May 29, 2019
An engaging look at the aphorism, the shortest literary form, across time, languages, and cultures
Aphorisms—or philosophical short sayings—appear everywhere, from Confucius to Twitter, the Buddha to the Bible, Heraclitus to Nietzsche. Yet despite this ubiquity, the aphorism is the least studied literary form. What are its origins? How did it develop? How do religious or philosophical movements arise from the enigmatic sayings of charismatic leaders? And why do some of our most celebrated modern philosophers use aphoristic fragments to convey their deepest ideas? In A Theory of the Aphorism, Andrew Hui crisscrosses histories and cultures to answer these questions and more.
With clarity and precision, Hui demonstrates how aphorisms—ranging from China, Greece, and biblical antiquity to the European Renaissance and nineteenth century—encompass sweeping and urgent programs of thought. Constructed as literary fragments, aphorisms open new lines of inquiry and horizons of interpretation. In this way, aphorisms have functioned as ancestors, allies, or antagonists to grand systems of philosophy.
Encompassing literature, philology, and philosophy, the history of the book and the history of reading, A Theory of the Aphorism invites us to reflect anew on what it means to think deeply about this pithiest of literary forms.
Andrew Hui is associate professor of humanities at Yale-NUS College, Singapore. He is the author of The Poetics of Ruins in Renaissance Literature.
Associate Professor Andrew Hui loves to read, think, write, and talk to other humans (and occasionally trees). His speciality is the classical tradition of early modern Europe and the Global Renaissance. He occasionally thinks about: allegory and algorithm, afterlife of antiquity, cultural philology, encyclopedias and epics, theatrum mundi, wonder, grace, and kairos. He likes to practice deep reading and slow humanities.
His work has been generously supported by the Whitney Humanities Center at Yale, a Berenson fellowship at Harvard’s Villa I Tatti, a National Endowment of Humanities grant for a summer of reading Dante in Florence, a Brian Crawford Award at the Warburg Library in London and a stint at the Centre for the Study of the Book at the Bodleian Library, Oxford.
He received his PhD from Princeton University in Department of Comparative Literature and is a graduate of St John’s College, Annapolis. From 2009-2012, he was a postdoctoral fellow in the humanities at Stanford University. He joined the faculty of Yale-NUS College in 2012.